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Laine Rettmer is a video artist and opera director whose work explores performance, gender, and methods of social control. Her work has been shown at The Clay Arts Center (2018), the Museum of Fine Art (2017), the Boston Independent Film Festival (2017), FPAC (2017), Manifesta (2016), Yuan Art Museum (2016), Yve Yang Gallery (2016), Perkins and Ping (2016), Present Company (2015), NADA NY, NADA Presents, (2014). For the past four years she was the resident stage director for the New York based company LoftOpera, with whom her Macbeth last December received a Freddie Award for best new production, and her Barber of Seville was named one of the top 10 classical music productions of 2014 by the New York Times. She has also worked extensively on new opera with companies such as New York City Opera, Ecce Ensemble, Guerrilla Opera, Rhymes with Opera, and Fresh Squeezed Opera. Recent awards received include a MAP Fund grant for a collaborative opera, Standby Snow: Chronicle of a Heat Wave, a Fellowship from the Center for Arts Design and Social Research, a Post-Graduate Teaching Fellowship from the School of the Museum of Fine Arts at Tufts, an Art School Alliance Fellowship from HFBK Hamburg and a residency at Skaftfell Center for Visual Arts in Iceland. Rettmer is currently a Residential Scholar at Massachusetts Institute of Technology and teaching at Northeastern University. She holds a BFA from New York University and a MFA from the School of the Museum of Fine Arts at Tufts.
ABOUT THE WORK
"Call for Help" is a psychological portrait exploring the fear of an evaporating political agency inside the American political system. The character bleeds from the heart while rejecting the state’s rescue. Their body is suspended in physical and psychological uncertainty, mistrusting that their trauma will be legitimized or recognized.
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